Five A Day
But it won't do to spoil the sheep for a halfpenny of tar, as the shepherds used to say in the Cotswolds (people who are confused by the West Country accent, and don't know that in the summer tar kept in a tar pot like the one in the picture was smeared on sheep's noses to kill pestiferous flies, sometimes think that they meant ship). A good part of writing a novel is discipline. Maybe the major part. So that means sitting down at the desk at around nine in the morning every day (including weekends; including Bank Holidays, like today) and working through an average of five pages, transcribing into the electronic manuscript all the corrections made in red ink on the printed manuscript -- that is, after the previous day's work has been read through and tweaked and amended. Come to think of it, before starting to transcribe those corrections I spent two months making them, so I'm a good deal further on than two-thirds of the way through.
The novel is called Austral, and it's set on the Antarctic Peninsula, which curls north from the fist of the continent, extending beyond the Antarctic Circle. It's the warmest part of Antarctica, and the part that's warming the fastest because of climate change, an average of half a degree for every decade over the past half century. Austral is partly about the effects of global warming and partly about terraforming the Earth, it's partly about change and how we deal with change, but it's mostly the story of its narrator, also called Austral. About what happens when she makes a bad mistake while trying to escape the consequences of another, about the history of her family and how it's twined about the history of the peninsula, and why people think she's a monster. My birth, she says, right at the beginning, was a political act . . .