"No fields, indeed, remained, for where the ground was dry, the
thorns, briars, brambles, and saplings already mentioned filled the
space, and these thickets and the young trees had converted most
part of the country into an immense forest. Where the ground was
naturally moist, and the drains had become choked with willow
roots, which, when confined in tubes, grow into a mass like the
brush of a fox, sedges and flags and rushes covered it. Thorn
bushes were there, too, but not so tall; they were hung with
lichen. Besides the flags and reeds, vast quantities of the tallest
cow-parsnips or "gicks" rose five or six feet high, and the willow
herb with its stout stem, almost as woody as a shrub, filled every
approach."
"By the thirtieth year there was not one single open place, the
hills only excepted, where a man could walk, unless he followed the
tracks of wild creatures or cut himself a path. The ditches, of
course, had long since become full of leaves and dead branches, so
that the water which should have run off down them stagnated, and
presently spread out into the hollow places and by the corner of
what had once been fields, forming marshes where the horsetails,
flags, and sedges hid the water."
Richard Jeffries, After London
4 Comments:
I have a fondness for this particular feature of post-apocalyptic fiction. George Steward's "Earth abides" is a favorite as is Wyndham's "The day of the Triffids". However I notice the plants described are mostly native English plants familiar to a Victorian, not the exotic invasives,(Ironically introduced in Victorian times) that would have a competitive advantage such as Buddleia, Japanese Knotweed or Giant Hogweed.
Phil
Now listening to Sweet Billy Pilgrim : Crown and treaty. :)
Richard Jeffries, After London:
Nice stuff, reminiscent of Roger Deakin.
There's not enough of this stuff about.
I have a fondness for place-writing and attempt to weave it into my own work.
I don't know whether you read these blog comments Paul but if you do there's something I'd like to know. You have a short story in the latest Best Science Fiction and Fantasy of the year Volume 6, its called The Choice. I loved this story, nice prose, good, well drawn characters, a landscape I could smelle. Its not hard sci fi, which is somewhat of a relief even though I like the stuff, Iain Banks is a favourite author.
So on the strength of that short story of yours I went out and bought In The Mouth of The Whale, which I'm enjoying so far. But, what I'd like to know is do you have any stories that more closely resemble The Choice?
BTW I thought The Choice was by far the best STORY story in the collection and there were about 5 others that came close to you, the rest were well, tedious. It has a nice cover though by Sparth.
If you like place or nature writing The Meadow by James Galvin is a great read.
Hi Barrie,
Thanks for yr kind words re 'The Choice'. It shares a common history with some other stories of mine, but it's the only one, so far, set on Earth. If you look to the right of the words and pictures you'll find a link to one, 'City of the Dead.' Another, 'Bruce Springsteen', was published in Asimov's earlier this year. And a third, 'The Man', will be published in Arc: Infinity next week.
Thanks for recommending Galvin's 'The Meadow'. Not one I've heard of before, but looks v. interesting. Am slowly working my way through William Gay's oeuvre, and am a huge fan of Daniel Woodrell.
Thanks Paul,
Its nice of you to reply, I'll check out the two authors you mentioned and those stories of yours that you recommended as well.
I'm enjoying The Whale, your ideas about consciousness and the nature of space are interesting; btw have you seen the PBS series The Fabric of the Cosmos, hosted by Brian Green?
This is where I live on the net if you want to explore my stuff http://www.barriecollins.net/index.htm, I do a bit of drawing and later this year will self-publish vol I of my YA sci fi qtet with Lulu; there's a first chapter on my site - pardon the blatant plug.
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