Out In The World
War of the Maps was published a couple of days before the coronavirus lockdown swung into place here in the UK; as a consequence I haven't been able to see copies in their natural habitat -- the shelves of bookshops -- out in the wild. A very minor personal disappointment, noted only because I have just now signed and sent off a small stack of bookplates to the mail order division of Forbidden Planet, so signed copies of the book should, shortly, be available.
Meanwhile, it has been accumulating reviews.
Some links to pieces in Crime Time, SF Crowsnest, SFF World, Salon Futura and the Times (this last paywalled).
There are two long reviews in Locus, one from Gary K. Wolfe, and the other from Paul Di Filippo.
Adam Roberts has posted a chewy and insightful analysis on his blog.
And a review in SFX concludes 'Following on from the extraordinary climate change novel Austral, this is further evidence that Paul McAuley may just be the best SF writer we have.'
For balance, I've been interviewed on the Coode Street podcast about a few books I have recently enjoyed, including Lavie Tidhar's By Force Alone, Alastair Reynold's Bone Silence, Denise Mina's The Long Drop and Kate Atkinson's The Big Sky. And I've just finished Evie Wyld's intricate and compelling cross-generational novel about persistent patterns of toxic masculinity, The Bass Rock, and am about to start James Bradley's new novel Ghost Species.
Meanwhile, it has been accumulating reviews.
Some links to pieces in Crime Time, SF Crowsnest, SFF World, Salon Futura and the Times (this last paywalled).
There are two long reviews in Locus, one from Gary K. Wolfe, and the other from Paul Di Filippo.
Adam Roberts has posted a chewy and insightful analysis on his blog.
And a review in SFX concludes 'Following on from the extraordinary climate change novel Austral, this is further evidence that Paul McAuley may just be the best SF writer we have.'
For balance, I've been interviewed on the Coode Street podcast about a few books I have recently enjoyed, including Lavie Tidhar's By Force Alone, Alastair Reynold's Bone Silence, Denise Mina's The Long Drop and Kate Atkinson's The Big Sky. And I've just finished Evie Wyld's intricate and compelling cross-generational novel about persistent patterns of toxic masculinity, The Bass Rock, and am about to start James Bradley's new novel Ghost Species.